Opera

 

Stephanie inhabits her stage characters with vividness and tenderness—and a good dose of humor. Past roles have included Cherubino (Le Nozze di Figaro), Gretel (Hänsel und Gretel), Zerlina (Don Giovanni), and Papagena (Die Zauberflöte). A lover of the magical worlds that opera creates, Stephanie considers it a privilege to sing the stories of people whose voices are often silenced or forgotten, shining their light and compassionately wrestling with their darkness.


Voice Lessons

 

Stephanie maintains a private voice studio with singers of varied experience levels, ages, and genres. Stephanie’s aim is to help singers find vocal freedom and joy in their singing.

Student performances with LB Music School, Medford, MA

Masterclass in England

Masterclass at Goshen College


Performance Projects

 

Sonic Blossom at the Isabella Stewart Gardner Museum, Boston, MA

Performance projects outside of the theater have included intimate and interactive recitals of art song and musical theater; Sonic Blossom, an art exhibit at the Isabella Stewart Gardener Museum, exploring the gifting of song; Songful Artists, an innovative a cappella group performing both classic and contemporary arrangements of winter holiday favorites across the Greater Boston area; and Music Street, bringing high quality Classical music performances to audiences at Rosie’s Place, Spaulding Rehabilitation Hospitals, retirement homes, and more.


Spiritual Care

 

Stephanie has over a decade of experience of leadership in church and worship spaces. Between 2016 and 2024 she served the Mennonite Congregation of Boston in various capacities, led monthly Taizé services of prayer and contemplation with the Swedenborg Chapel in Harvard Square, and served as Song Leader with Hillside Community Church in Medford, MA.

In May of 2024 Stephanie completed a Master of Divinity degree from Harvard Divinity School, where she trained as a chaplain and explored the intersection between music and spiritual care. Learn about her thesis project, a one-act chamber musical entitled At Love’s Hearth, below.


Crossover

 

Folk music is literally “music of the people,” and Stephanie has found joy discovering the strong community spirit that lives in these traditions. She works closely with UK-renowned singer-songwriter Luke Concannon (Nizlopi) with whom she tours, records and hosts workshops. She appears on Luke’s albums In the Sea and Ecstatic Bird in the Burning, and an album forthcoming in 2025.

A talented harmony writer and interpreter of songs, Stephanie also records vocals (topline and harmonies) for artists seeking help on their projects. Inquire here or via SoundBetter to discuss how she might help bring your project to life.


At Love's Hearth

 

At Love’s Hearth, an original one-act chamber musical, weaves together themes of joy, grief, and human connection. This project was originally crafted in fulfillment of Stephanie’s Master of Divinity thesis at Harvard Divinity School. Performed as a concert piece in March 2024, the rehearsal process also explored the intersection of music and spiritual care.

Music can be wildly healing and transcendent, helping audiences make meaning; hold grief and terror; touch beauty and joy; and reconnect to a sense of Something Greater in the midst of inner and outer chaos. Musicians thus often find themselves (whether they know it or not) in a priestly role, ushering audiences into and through experiences of beauty and transcendence. In a culture that has privatized expressions of spirituality, how do we support musicians in this sacred work? How do musicians stay grounded in their own sense of what’s meaningful so that they can continue the generous and generative work of music-making and performing, particularly in a culture that underfunds and undervalues artists’ work? At Love’s Hearth envisions a world in which the skills of chaplains are available not only in hospitals, at hospice bedsides and on college campuses, but to artists and in all spaces where work of the soul can be found.

Synopsis: Tragedy strikes on Rosie’s sixth birthday when her mother, Rachel, falls ill. As the family gathers around the hospital bed, reeling as they try to metabolize the situation, a visitor slips in and offers a simple but profound gift. Inspired by a true story.

Music by Stephanie Hollenberg and Singaporean composer Jonathan Shin. Libretto by Stephanie Hollenberg. Scored for voices and string quartet.

Excerpts from At Love’s Hearth: “Come Home” (Hannah Meloy) and “Rosie’s Song” (Justine Boonstra).